Category Archives: Marblehead

Usually a memoir

Freddy at 18 Pearl

Liquid Joy

Liquid Joy

After school one day in 1950 when we were twelve, Freddy and I got to Pearl Street and found a small plastic bottle sitting on the porch by the front door. There was a large tag attached to it proclaiming that “Liquid Joy,” a brand new product, would get your dishes, glasses and silverware cleaner than any of the old fashioned powders could. What’s more, the tag said, this very sample of “New Liquid Joy” was free.

Neither of us I had given any thought to dish washing detergents, but we brought the sample into the house anyway. No adults were home. We took it upstairs to the bathroom and I got the idea of pouring the whole bottle down the sink. I did and ran a lot of hot water after it for good measure. After a while we went into my room which had a window overlooking the side yard. I looked out and saw a large mound of soapy bubbles in the center of the yard. The pile of bubbles billowed larger and larger as we watched. I knew right away what I should have thought of before dumping the detergent into the sink and sending all that hot water in after it. In the middle of the side yard was a vent connected to the sewer pipe that joined the drains in the house to the sewer line in the street. The bubbles were lighter than water, and like the sewer gases that the vent was designed to expel, they rose to the surface.  The bubbles stopped growing and, very slowly, began to pop. By the time the adults came home an hour or so later no evidence was left.

After I reconnected with Freddy in 2102, he and I were talking on the phone when I thought of an incident my mother had recalled, but that I had forgotten. Freddy and I were around eleven when we came back to my house at 18 Pearl Street after an afternoon of fishing in the harbor. My mother was fixing dinner and I asked if Freddy could eat with us.

“Sure, let me speak with Vivian and make sure it’s OK with her,” my mother replied.

“My mother isn’t home, it’s only Omama,” Freddy said, referring to his grandmother.

“Fine, I’ll speak with her.”

“She doesn’t speak any English, only Spanish and German,” Freddy answered.

“Well….” My mother paused and said, “OK, can you call and ask if it’s all right for you to stay over?”

Freddy called Omama and emitted a rapid-fire burst of Spanish. He listened for a minute and turned to my mother and said, “It’s OK.”

Later my mother told me that she had been uneasy. After all, she didn’t want to get into hot water with Vivian, a very strict European-style parent, but she also  wasn’t about to deprive Freddy of dinner.

At age twelve, I knew nothing about Omama except that she and Vivian spoke in German.  For all I knew she could have been the witch from “Hansel and Gretel.”

When I told the story to Freddy he laughed. “Omama’s English was fine,” he said, “She could speak six languages.”  I had forgotten that he had said that she had been married to an Englishman in Argentina for many years. Now we both laughed. At age eleven, Freddy had bamboozled  my mother about his grandmother’s English and gotten away with it. But something about what he said had ignited my curiosity about Omama. His truthful account had liberated her from the fairy tale in my mind.  “If Freddy’s grandmother looked and sounded so Germanic, wouldn’t her name have been something like Hilde or Gertrude?,” I wondered. What was Omama’s name, I asked Freddy.

“Her name was Margaret Lewis,”

Next week; Camp Norshoco

Fireworks at Eighteen Pearl

A package of one-inch firecrackers like the ones I ordered in 1951

A package of one-inch firecrackers like the ones I ordered in 1951

In 1950-51, when I was twelve and in the sixth grade, we lived with a family friend I’ll call Jean. She owned an advertising agency with offices in the Pickering Coal building in Salem, and had recently bought the Victorian house at Eighteen Pearl Street in Marblehead.  Our landlord at Twenty Circle Street wanted his house back on short notice, and Jean had two large extra bedrooms. We moved in just after school  let out in May 1950.

Like other boys in the days before drugs, I found all the excitement I needed in a non-chemical adventure just as dangerous: playing with gunpowder that we salvaged by scraping dozens of paper caps intended for toy pistols, or from the occasional firecracker that we scrounged.  Fireworks were illegal in Massachusetts, but as the Fourth of July approached most kids my age got their hands on a few firecrackers, either from family trips to the south where they were sold in roadside stands, or by mail order. Mail order fireworks were tricky. The vendors wouldn’t ship to states where they were illegal, but they did ship to New Hampshire, which had less restrictive laws than Massachusetts. Many Marblehead families had friends and relatives in New Hampshire, but I didn’t.

I was describing the fireworks dilemma to Jean, one day, when her face lit up. “There’s a man where I work, Ralston Pickering, who gets his fireworks by mail order in New Hampshire. I’ll see if he can get some for you.” The next day, Jean came home with a fireworks catalogue. I was delighted but didn’t really believe that the scheme would work: this Ralston Pickering guy would forget my part of the order, or he’d be stopped by the State Police when he returned to Massachusetts.  I went ahead anyway and ordered a modest collection including several packets of ladyfingers, tiny half-inch firecrackers that you set off by the whole packet, even more packets of the one-inch variety which were the favorite of all the kids, a bunch of sparklers and a few small rockets.

A box like the collection I kept in my blanket chest

A box like the collection I kept in my blanket chest

After two or three weeks of anxious waiting, Jean announced that Pickering would bring my order to work the following day. Jean brought the small carton home, and I raced upstairs to my room to inspect my cache. I couldn’t wait for the next day to tell my friends, Chris Brown, Tommy White and a boy I call Tim  about what I had. Setting them off by myself held no appeal; I had to share to enjoy them at all.

I kept the box in the blanket chest below the window in my bedroom and gave the fireworks to friends as the Fourth approached— with the understanding that we shoot them off together.  We did, mostly in the back yard at Eighteen Pearl during the daytime when we wouldn’t attract attention, or the police. We even fired off a couple of rockets there and had no idea where the hot debris landed.

Kids who wanted to set them off by themselves or with others had to pay me cash, I decided. After all, It added a little cachet to my otherwise powerless existence. I sold the final half-string of one-inchers individually for a quarter each, except for the last two or three which I sold to Tim for fifty cents each.

The association of New Hampshire with fireworks lay submerged in the recesses of my mind along with other childhood exploits and misadventures; I hadn’t thought about it for over sixty years. Then I read of the indictment of Dzhokhar Tsarnaev, one of the two brothers accused in the Boston Marathon bombing that killed three people and injured more than two-hundred others on April 15, 2013  Tamerlan, the deceased older brother, had visited Phantom Fireworks in Seabrook, New Hampshire in February and bought 48 mortars, which, the indictment alleged, the two of them used to construct the pressure cooker bombs that they detonated at the marathon’s finish line. It seems that fireworks laws in New Hampshire hadn’t changed much. Just like us at age twelve sixty years ago, they had salvaged gunpowder from ordinary fireworks.

Eighteen Pearl Street in 2012

Eighteen Pearl Street in 2012

We moved from Eighteen Pearl in the summer of 1951, just before I started junior high school. Jean sold it a couple of years later and eventually moved to Florida. The house looked shabby when I walked by during my high school years, but now it is restored to its delightful Victorian splendor.

Next week: Freddy at Eighteen Pearl

The 4CV

A 4CV reveals its rear engine and front truck.

A 4CV displays its rear engine and front trunk.

“Dave,” Jack said as he lifted the rear hood to reveal the engine, “the 4CV is easy to work on and so light that you can pick it up by the front bumper if you need to. But you have to go the Renault dealership in Boston for parts, unless you have another 4CV to cannibalize. The cars are dirt cheap used.”

It was spring, 1956 and I was 17. I had just earned my driver’s license and wanted my own car which I was determined to pay for myself. I wasn’t about to burden my parents and the car, like the fancy bicycle before it, would come from my own after-school earnings. Jack was an engineer, a family friend in his fifties who loved to tinker. I spent some Saturdays with him, handing him tools as he worked on his cars and on a boat. I drove the 4CV, first with him and then alone. It was light, simple and easy to handle. Everything was manual: the starter was a lever you pulled up; the choke was tricky and required careful adjustment during warm-up, and the transmission had a gearshift on the floor with a clutch pedal. There was even a crank with a slot in the rear bumper, if you had trouble starting. The stick shift and choke were not a problem. I had learned to drive on cars with both. As for the crank, my father knew all about them; he had learned to drive in a Model T.

Jack had a colleague, Dave, who was selling a used 1949 4CV. My parents drove me over one evening for a look. The car was a faded blue and had couple of dents, but it ran OK when I drove it around.  He agreed to sell it for $125 and I gave him a $25 to hold it while I took care of insurance and registration.

Most of my teenage friends drove on their parent’s insurance, but I wanted my own. Massachusetts insurance companies wouldn’t insure teenage drivers directly; you had to go through an assigned risk pool, which involved visiting an unfriendly office in Boston. The Registry office in Lynn was just as bad. The clerks there, like the ones in Boston, knew from the news that every teenager coming through the door was a violent juvenile delinquent who would wind up killing someone if they were allowed to drive, much less register their own car.

With license plates, windshield stickers and insurance arranged I asked my father to drive me over to Dave’s. The blue 1949 4CV was sitting outside his apartment building just where I had seen it before. I handed over $100, collected the keys and got in. But now there was an odor that I hadn’t notice before. It was the sour musty smell common then to all used cars beyond a certain age. The new-car aerosol spray employed by used car dealers had yet to be invented, or if it had, it was not for 4CV aficionados. If you were tough enough to take on a 4CV, you shouldn’t be bothered by a little odor. It didn’t trouble me a bit. I was delighted. My car ran and it was all mine: bought, paid for, insured and registered.

The 4CV in "Afrika Korps" yellow

The 4CV in “Afrika Korps” yellow

In my spare time, I drove it all over Marblehead and on trips to Salem, Danvers and Beverly. I picked up a bulky AM radio at a junkyard and installed it myself. In my fantasies I always wanted to drive a police car, so I installed a small war surplus flashing yellow light on the dashboard facing out the front window. One day, in the summer of 1956 when I was driving on Essex Street in Marblehead a group of my friends approached on foot. Inspired by the clowns in the circus, four of them opened the doors of my still moving car and squeezed in. The fifth climbed on the roof and pulled himself forward until his head hung down and his face appeared through the windshield, upside down, looking directly at me. I was horrified. Not only was my view blocked, but my friend risked serious injury or death if I stopped too fast and flung him in a neck-breaking somersault to the pavement. Traffic was light,no police were around and I was able to slow for a safe dismount.

In late August 1956 I felt confident enough to take my car on a short camping trip to New Hampshire with a couple of friends from Boy Scouts.  I had doubts but the little car made it up and back with no trouble. But in the fall it became less and less reliable, often stalling in the middle of intersections. It was light enough that I could jump out on a level street, push it a little, and jump back in to pop the clutch, using the car’s mom entum to turn over the engine. If jump-starting didn’t work, I still had the crank, which, at least for a while, got it going again.

I took it to Jack, who had recommended the 4CV in the first place, for help. But he got tired of my constant requests, and to ld me that I should be able to fix it myself by now. I turned then to one of my Boy Scout companions, Billy, who had greater mechanical abilities than mine and enjoyed challenges. After several trips to Boston for parts he and I got it running for short periods, but then it would die again. My car sat for weeks at the curb near our house. An uncharitable neighbor left an anonymous note on the windshield threatening to call the police if I didn’t move it. I continued to fiddle with it, cranking the engine over and over. Nothing I did would make the recalcitrant machine start. In anger and frustration, I screamed and beat the valve cover with the crank until I dented it.

Billy and I came up with one final idea. We would tow the 4CV with a strong rope attached to his car, and maybe build up enough momentum to jump-start mine. We found a hill and he slowed his car to create slack in the towrope while I popped the clutch. Nothing doing. We tried again on a flat stretch going about twenty miles an hour. Again, no luck. I told my mother about the outcome. “You’ve got to do something about that car,” she said, “I can see that the frustration is tearing you apart!”

The next day Billy drove me over to Litvak’s auto salvage on Bridge Street in Salem, where I had found the old AM radio. Litvak offered to tow the 4CV from Marblehead at no charge if I’d turn the title over to him. His tow truck followed us Marblehead and I went into the house to get my mother’s signature; at eighteen, I was still a minor. “Are you dead sure that this is the only solution,” she asked. “I don’t see any other and the tow truck is waiting outside,” I said. He put my car on the hook and we watched it disappear around the corner. Soon after, my mother and I drove past the salvage yard and I saw the 4CV out in front, offered for sale as running. I wondered what Litvak’s mechanics had done that neither Billy nor I or could manage.

The idea of the 4CV originated in the mind of Louis Renault, a French manufacturer of large luxury cars. Renault was impressed by Ferdinand Porche’s 1938 introduction of the German people’s car, the Volkswagen, and began the development of a French equivalent. He was under way when the Germans invaded and took over his plant in suburban Paris for the manufacture of trucks. Working out of sight of the Germans, Renault’s engineers to produced a prototype of a small inexpensive car in 1942, but kept it hidden.

At war’s end, in 1945, the French Government arrested Porsche on charges of war crimes; he had managed automotive factories in France during the occupation. They required him to lend his expertise to the Renault project, but he complained that his involvement came too late to make a difference. But the rumor spread anyway that Porsche had undermined the reliability of the French automobile in revenge for his imprisonment. His son bailed him out and he was never tried by the French or anyone else.

In 1946, Renault introduced its new product, the Quatre Chevaux à Vapeur (4CV) which means four horsepower. All the initial cars, first marketed in 1947, were a sandy yellow color – the result of a huge surplus of automotive paint intended by the Germans for use in the North African campaign. The 4CV was very successful, and spread rapidly through France and its possessions. Soon it, along with the postwar Volkswagen, was available in the United States. Renault manufactured the 4CV until 1956, when it redesigned it with a new body style and called it the Dauphine. The Dauphine was even less reliable than its predecessor. Nonetheless, quite a few sold in the United States, including the car belonging to a college acquaintance. He liked his Dauphine and didn’t seem worried by my experiences with the 4CV.

The 4CV shows its versatiltiy

The 4CV demonstrates its versatility

One Saturday late in 1999, forty-two years after I gave up on my 4CV, I tuned the radio to “Car Talk” and found Tom and Ray Magliozzi sponsoring a competition to select the ten worst cars of the millennium. I thought of my first car, but by 1999, it faced lots of competition for membership in the pantheon of automotive unreliability and lethal handling. As it turned out, the 4CV didn’t even rate a dishonorable mention in the ultimate ranking. But Renault made the cut with the Dauphine in 9th place and “Le Car,” a later automotive disaster, in 6th. First rank went to the Yugo.

Next week: Dave encounters computers.

Writers in the Family

Azor, published in 1948

Azor, published in 1948

I’ve got to credit my mother, Maude Crowley, for setting me on the path to becoming a writer. Not only did she insist that my childhood speech be perfect in grammar and syntax, but she wrote five children’s books. The Azor series, published between 1948 and 1955, featured the exploits of a Marblehead boy much like me and his friends who were based on my pals Chris and Erik Brown.  My father, Joe Crowley, a Boston newspaper editor, was also an expert in spelling and grammar. He reinforced my mother’s teaching and corrected me on anything she missed, which wasn’t much.

My mother and her sister Therese had graduate degrees in journalism from Columbia University in New York.  Both worked as reporters in New York, and Therese co-wrote a study of laundry workers there. In 1931 she married a young reporter for the New York World, Joe Mitchell, who became a celebrated writer for the New Yorker. Disdaining celebrities, he wrote with compassion about obscure and eccentric New Yorkers, turning them into memorable characters. “Joseph Mitchell transformed journalism into art,” wrote Newsweek in its 1992 review of Up in the Old Hotel, a long-awaited collection of his work.

Nora Mitchell (age 6) and Dave (age 7) in Marblehead. Therese Mitchell photo.

Nora Mitchell (age 6) and Dave (age 7) in Marblehead in 1946. Therese Mitchell photo.

I saw my uncle at least twice a year during our family visits to New York and when he came to Marblehead with Therese and my cousins Nora and Elizabeth.  We last met in New York in 1993, just after the publication of Up in the Old Hotel.  Joe was gloomy as he often was, and as we walked the back streets around the Fulton Fish Market he said, “You know, David, there just aren’t any people left in New York like the ones I wrote about.”

Before he died in 1996 he had agreed to a film based on his work. Joe Gould’s Secret appeared in 2000 and featured Stanley Tucci as Mitchell and Ian Holm as Gould, a literate and cultured inhabitant of Greenwich Village who lived like a derelict.  On February 11, 2013, The New Yorker published “Street Life” a fragment of Joe’s unfinished memoir, discovered by Thomas Kunkel who is writing his biography.

Therese who died in 1980 was a professional photographer, and in 2002 my cousin Nora published a collection of her mother’s photos from New York in the 1930s along with quotes her father’s books.  In her introduction, Nora wrote,

…I read them [reissues of Joe’s books] closely for the first time in years, with my mother’s pictures freshly in my mind, I was overcome by the traces of each in the other. The words and music were such perfect companions that putting them together became an almost obsessive exercise. As I watched them watching the men on lunch break and the shoeshine boys and the unemployed men at Union Square and the waiter writing the day’s menu on the restaurant window, they were resurrected. (©The Recorder, The Journal of the American Irish Historical Society, Spring 2002)

Jospeph Mitchell tells Dave's daughter Hanna a about the South Street Seaport in New York

Joe Mitchell and Dave’s daughter Hanna at the South Street Seaport in 1976

Some people, like Nora, who don’t write often for publication, have no trouble expressing themselves when they speak of people they love.  I can say the same about my daughter Hanna who reached the difficult decision in 2001 to send my special-needs granddaughter to a boarding school:

It was as if somebody pumped oxygen into her finally and all of the other children as well and she felt comfortable to be what she is…When it came time for my husband and I to leave, we looked around for her to say, “good-bye.” We finally found her surrounded by a group of boys and girls, who were all talking, laughing and having fun. We did not want to break up the party, so we stood back, watched, and cried in happiness over this vision of her contentment. Finally, one kid noticed us and poked her to let her know that her parents were standing by. She extracted herself and ran over and we let her know we were leaving and she gave us both big hugs. My husband and I cried, but she did not. She said, “Mom, don’t worry about me, I’ll do great!” And, she is. (© Woodbury Reports, Inc “Was It The Right Decision?” Hanna Ryan, April 2001)

Next week: Dave’s grandfather and Theodore Roosevelt

The USS Missouri visits Marblehead

USS Missouri off Halfway Rock, Marblehead August 3, 1946

USS Missouri off Halfway Rock August 3, 1946

I was seven and about to enter the third grade at the Gerry School when the battleship USS Missouri made a celebratory visit to Marblehead, anchoring in Massachusetts Bay just off Halfway Rock on August 3, 1946.  I knew about the ship from newsreels I had seen at the Warwick Theater showing the ceremony on its deck with General MacArthur and the top hatted Japanese officials. Looking out from our Elm Street yard I could see the Missouri way out beyond Children’s Island.  It was much further away than a couple of other naval vessels that had anchored off Children’s Island during their visits. I guessed that the waters off Children’s were too shallow for such a big ship.

UISS Missouri ArticlexIt was open for tours to which my mother and I were ferried, after waiting in a long line, from State Street wharf in Marblehead. The Navy used drop-front landing craft fitted with benches to take us out. The first thing I noticed when we approached the Missouri from the starboard side was the catapult near the stern with the float plane (a Vought Kingfisher) mounted on it. Then, sailors helped us off the landing craft and onto the narrow dock and stairway suspended along the side of the ship. On board, an officer led us to the plaque in the deck commemorating the Japanese surrender. I read the words:

OVER THIS SPOT ON 2 SEPTEMBER 1945 THE INSTRUMENT OF FORMAL SURRENDER OF JAPAN TO THE ALLIED POWERS WAS SIGNED THUS BRINGING TO A CLOSE THE SECOND WORLD WAR. THE SHIP AT THAT TIME WAS IN TOKYO BAY.

I felt amazed, as a seven-year-old kid, to be allowed to stand at this place. My mother had said, “David, you are so fortunate to live in America. It is the greatest country in the world.” Now, on the deck on the USS Missouri, I felt connected with the country, with the War and with the final victory. These feelings haven’t changed in sixty-seven years.

When we left the ship and descended the narrow stairway the sea had kicked up. The landing craft waiting for our group lurched, rising and falling with each wave. The sailors on the small dock had to time their transfer of each person to the instant when the gunwale of the small boat was level with the dock. After we were safely seated, I asked my mother, “What would have happened if I had fallen in”? “There are two-thousand sailors on this ship who would have jumped in to save you,” she said.